POSTULADO

Busco el registro de elementos temporales en un espacio en particular, los cuales conllevan a un replanteamiento, a un análisis, y a una transformación sin que la imagen pierda su integridad como documento, la idea de no estar conforme con lo que la óptica de mi cámara puede registrar me lleva a un replanteamiento, la imagen sirve como detonador de una serie de eventos y cuestionamientos acerca de su integridad. Creo que la fotografía es una forma de expresión artística que se coloca al mismo nivel de otras formas de creación.

STATEMENT

I’m in search of temporal elements in a single space; then i take a single image and transform it without letting the image lose its integrity. The idea of not being comfortable with the image registration of my camera optics, takes me to a whole new episode of transformation, the image is seen as an initiator of a series of events and questionings about its own integrity. I think that photography is an artistic expression in the same level of other forms of expressions. The thing we do in life will represent the life itself. Every day I have to do something related to photography otherwise I feel like I’m denying my own existence. Ideas must work through the arms and hands of men otherwise they are nothing else but dreams.

Primeros Trabajos/Collage Conceptual

Collage digital a partir de negativo 35mm escaneado. Algunos procesos invertidos.

Digital collage made from 35mm analog scans then put together in postproduction. Some cross process was made from analog negatives.

Emplazamiento Simétrico

Based on Edmond Huserts Origins of Geometry

Procesos de Creación / Work Progress

Procesos de Creación.

Image & Sound

Space dedicated to audiovisual work

COLOSAL Video Promo

Traceable Noice Drenoso Webs are generated by a code that follows movement. Everything is connection and movement, this is a living organism and behaves like a multitude. Space Shuttle Launch – background score

Engendramiento (Video Experimental) Inspirado en Terrence Malick “El Árbol de la Vida” El origen y el mito de la creación. Elementos contiguos. La existencia y el cine nacen como metáforas, como tales metáforas son rebatidas y defendidas, sufren esa muerte que es el olvido, el olvido de su origen metafórico. Es a través de la metáfora que se muestra el alcance y los posibles límites lógicos de la hipótesis en el campo de los conceptos filosóficos. La metáfora se forma como fusión de una analogía. Dados dos campos semánticos, A y B, y establecida una semejanza entre ellos.

Begetting (Experimental Video) Inspied by Terrence Malick “Tree of Life” The origin and the myth of creation. Contiguous elements. The existence and cinema as metaphors are born and as such metaphors are refuted and defended, they suffer the death that it is oblivion, forgetting its metaphorical origin. It is through the metaphor that the scope is shown and possible logical limits of the hypothesis in the field of philosophical concepts. The metaphor is formed as a fusion of an analogy, given two semantic fields, A and B, and established a similarity between them. Dirigido por/Directed By: Drenoso Edición/Edited: Drenoso Música/Score: Kevin McLeod (Creative Commons) Fotografía/Footage: Mitch Martinez

Speed Edit

Presence of the Absence

Inspirado en Wilted Country de Roger Eberhard en donde él hace una interpretaciónde la ausencia de la humanidad en un lugar que ha sido reclamado por el clima y la naturaleza.

La tradición de usar el espacio y en particular una reacción al espacio. Podemos ver en el trabajo una respuesta física al espacio. En anteriores trabajos el espacio era simplemente un gran pedazo de tierra que sencillamente se podía darle forma o dominar. El espacio es también una representación de algo más emocional y existe la necesidad de pertenecer a ese espacio.

Este ensayo aparte de hacer uso del espacio hago una investigación del mismo, no del espacio real sino del espacio como no espacio. Los lugares son puestos en un contexto, removidos de su situación original. Se da la bienvenida al no lugar de las cosas en el mapa geográfico y como éste referencia al lugar.

ENGLISH

Inspired by Roger Eberhard Wilted Country where he makes an interpretation of the absence of humanity in a place that has been reclaimed by the weather and nature.

The tradition of using space and in particular a reaction to space. We can see in the work a physical response to space. In earlier work space was just a big piece of land that could simply take shape or be dominated. Space is also a representation of something emotional and there is the need to belong to that space.

In the present essay aside from making use of space I make an investigation thereof not real space but the space as no space. The landscape is placed in a context removed from its original situation. It welcomes the demise of things in the geographical map and how it makes a reference from it.

Faceless City People

Work in Progress

Inspirado en el trabajo de Shoji Ueda. Prescindir del rostro humano. El espectador puede recorrer la imagen y hacer su propia interpretación.

Documentary

Todo proceso lleva consigo una previa investigación. Es ahí donde la imagen documental entra en función. Para mi es importante documentar mi entorno pues es por medio del trabajo fotoperiodístico es que logro conectar los eslabones que fundamentan mi trabajo.

Cuba  Xita

Vórtice

Vortex are all around us they are part of creation in the simplest form. From a bacteria till a planet. Vortex is a region within a fluid where the flow is mostly oriented around some axis, straight or curved. Such a pattern of motion is called a vortical flow.

English

Colossal. It is a photographic series in which a graphical re-interpretation of spatial conflict in big cities is made, geographical background of human growth system. Unthinkable complexity. The fascination and at the same time repulsion for massive architectural elements. Living surrounded by concrete, lines and geometric shapes. Labyrinths of industrialization that aim to heaven. Lines of concrete wandering in space of nothingness, clusters and constellations of metal and cement. The law of impenetrability of matter corrodes, it collapses. All elements can occupy the same place in space like the sky lights in space disappearing. The metaphor of over-development is based on a knowledge and an interpretation of reality. In this theatrical game the city’s identity is fragmented, ranging from anonymity and the construction upon itself. The identity ceased to be a hallucination of modernity and instead is now undergoing the thrill of a transgenic parallelism, tearing its spatial limits. An architectural exploration of lines and its fascinating urban connections. Small tumors growing in the horizon and fed by the need of social collectiveness. Unthinkable complexity. I use multiple exposures that fold in on themselves, transcend reality and find the beauty within the complexity.